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Fiona Apple reads Tolkien’s poetry on “Where the Shadows Lie”

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The post office Song of the Week: Fiona Apple Reads Tolkien’s Poetry on ‘Where the Shadows Lie’ appeared first on Result.

song of the week breaks down and talks about the song we just can’t get out of our heads every week. Find these songs and many more on our Spotify Top Songs playlist. For our favorite new songs from emerging artists, check out our New Spotify Sounds playlist. This week, Fiona Apple makes a fantastic comeback with “Where the Shadows Lie.”

The music of Fiona Apple has a way of feeling suspended in time. Simple and heavy piano compositions from his debut in 1996 Tide to the loud and ramshackle qualities of the 2020s Collect the bolt cutters, the iconic musician may have been a mouthpiece for turn-of-the-century destiny, but her sound lacks a specific era.

Really, it’s a trait that Apple shares with the the Lord of the Rings franchise, which has grown from JRR Tolkien’s novel series in the 1950s to a blockbuster movie series and, now, an Amazon Original series. It’s no wonder she was chosen to contribute to the soundtrack of The Lord of the Rings: The Rings of Poweron a season finale anthem titled “Where the Shadows Lie”.

With music by composer Bear McCreary, “Where the Shadows Lie” was inspired by a Rings-verse poem by Tolkien himself. Poetry has long been a sine qua non of Apple music, and although “Where the Shadows Lie” lacks the intimacy and sentimentality it usually forges, its emphatic vocals sound rather victorious and subtly haunting.

In the closing moments of the track, she sings the title of the song and you can almost imagine her voice bouncing off the stone walls of a castle bedroom. A chorus rises and rises behind her, affirming Apple’s acute skill in evoking powerful emotions – whatever those emotions are.

—Abby Jones
Associate Editor

Honorable mentions:

Anxious – “Sunsign”

The anxious never had trouble writing a sticky hook; it was one of little green houseits greatest strengths. Their emo-inspired indie rock has a certain quality to them that makes their tracks stay with you long after you’re done listening. “Sunsign,” the band’s first single since their debut album, is no different. In fact, it might be the catchiest four minutes the band has had to date. A bouncy beat and propelling structure underpin the main earworm melodies, resulting in a track that has the potential to become an instant fan favorite. It’s one of the strongest singles they’ve released to date and is sure to win over anyone who hasn’t sold out. little green house that Anxious is here to stay. —Jonah Krueger

Backseat Lovers – “Slow Down”

With the two-chord split of “Kilby Girl”, The Backseat Lovers became one of the fastest growing indie crossovers in recent memory. Later this month, they’ll be looking to capitalize on the frenzy with Waiting to Spill, the band’s second album – and with singles like ‘Slowing Down’, they just might succeed.

The patient, dynamic track is a slow burn that reaches a climactic crescendo. Sitting at over five minutes, “Slowing Down” lives up to its title. While not as immediate as the songs that hooked The Backseat Lovers fans, it’s no less gratifying. Give the song the time it needs and you’ll probably find one of your new favorite songs. —JK

Priya Ragu – “Adalam Go!”

With “Adalam Va!”, singer-songwriter Priya Ragu creates a track that epitomizes its title, which roughly translates to “Let’s Dance!” The electro-pop banger is an exuberant and energetic listen, amplified by the panoply of instruments the singer-songwriter uses. The punchy bass pairs well with the synths, and the production on the track matches Ragu’s versatile vocal performance. Whether it’s Ragu telling listeners to relax and breathe or paying homage to British rapper Skepta, his fast and stinging lyrics exude charisma and confidence. —Joe Eckstein

Carlie Hanson – “608”

The buildup to Carlie Hanson’s “608” is palpable. Starting from a melancholy tone of a dark guitar, where each plucking of the strings is felt, the singer-songwriter immediately evokes a nostalgic atmosphere. Indeed, the song is a tribute to Hanson’s hometown of Onalaska, Wisconsin, and talks about how much it’s still a part of her. “Promise my mother I’m still the same / Never change my number 608,” she sings on guitar. At the end, synths and a distorted bassline come together in a powerful and uplifting conclusion to one of Hanson’s most introspective efforts to date. – I.

Fred again.. – “Kammy (like me)”

One of house music’s new patron saints, Fred again.., is back with another hard-hitting club anthem, “Kammy (as I do)”, a star of his important Boiler Room set a few years ago. month. The song’s fast pace not only recalls the breakbeat sheen of 2000s house, but it creates a whirlwind of emotions that ebbs and flows in seconds. When the bridge arrives and the beat wears off, the respite is brief but euphoric, and as his drums come back in force for a final chorus, it’s pure dancefloor energy. You can almost feel the sweat pooling, and again Fred’s bustle propels the track forward in a deeply satisfying way. — Paolo Ragusa

Crush Club – “Will I See You Again?”

Electronic duo Crush Club are back with “Will I See You Again?”, a dance floor number that plays to the strengths of both members: the TC Milan singer flaunts his delicate and devious melodies with plenty of nostalgia and desire, while producer Le Chev works through a highly percussive house beat that keeps the track’s momentum at a sparkling level. Constructed from an almost angelic chorus sample, “Will I See You Again?” reflects both the passionate high of wanting that second date or encounter and the weird low of rejection looming around the corner. With a song like this, how can you not want to see Crush Club again? — PR

Mimi Webb – “Ghost of You”

Singer-songwriter Mimi Webb has tapped into the timelessness that can thrive in pop music with her latest, “Ghost of You.” Sometimes the best way to explore feelings of sadness and loss is through a deceptively upbeat anthem, and this song is a perfect example. With a visual that sees the artist strutting down a London street and finding himself at a tasteful, glamorous and cathartic dance party, “Ghost of You” authentically taps into the energy of the early 2000s, and not just because it’s an aesthetic that seems trendy these days. Instead, Webb uses it to achieve transcendent quality for both the song and the music video. – MRS.

Top Songs Playlist:

Song of the Week: Fiona Apple Reads Tolkien’s Poetry on ‘Where the Shadows Lie’
Abby Jones and the Consequences Staff

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